1 00:00:04,672 --> 00:00:06,005 YEAH! 2 00:00:26,568 --> 00:00:28,863 GINA LOOKS SO BEAUTIFUL. 3 00:00:28,904 --> 00:00:31,448 I MEAN, I USUALLY HATE WEDDINGS, BUT THIS ONE IS-- 4 00:00:31,490 --> 00:00:32,533 I KNOW. IT'S SPECIAL. 5 00:00:32,574 --> 00:00:35,911 YEAH. UH-OH. TWO O'CLOCK. 6 00:00:35,953 --> 00:00:37,120 THERE'S A HOTTIE BY THE BAR, 7 00:00:37,162 --> 00:00:38,455 AND SHE'S CHECKING YOU OUT. 8 00:00:38,497 --> 00:00:39,581 NO. COME ON. 9 00:00:39,623 --> 00:00:40,624 YES. 10 00:00:40,666 --> 00:00:42,710 -REALLY? -DEFINITELY. 11 00:00:42,751 --> 00:00:44,378 HERE GOES NOTHING. MM-HMM. 12 00:00:50,843 --> 00:00:53,554 SO FRIEND OF THE BRIDE OR FRIEND OF THE OTHER BRIDE? 13 00:00:55,222 --> 00:00:57,056 HOW LONG DID YOU WORK ON THAT LINE? 14 00:00:57,098 --> 00:00:58,266 NOT GOOD ENOUGH? 15 00:00:58,308 --> 00:01:00,019 IT WAS A LITTLE UNDERWHELMING, TO BE HONEST. 16 00:01:00,059 --> 00:01:02,021 WOW! THIS IS NOT AT ALL 17 00:01:02,062 --> 00:01:04,023 HOW I EXPECTED THIS THIS TO GO. 18 00:01:04,063 --> 00:01:05,733 YOU WANT TO TRY AGAIN? 19 00:01:06,441 --> 00:01:08,109 HOW ABOUT THIS? 20 00:01:16,911 --> 00:01:18,370 BETTER? 21 00:01:18,412 --> 00:01:21,540 YEAH. THAT WORKS. 22 00:01:21,582 --> 00:01:24,167 WOW! YOU'RE BEAUTIFUL. 23 00:01:24,209 --> 00:01:26,127 [KING FLOYD'S "HARD TO HANDLE" PLAYING] 24 00:01:26,169 --> 00:01:27,462 -MMM. RYAN. -WHAT? 25 00:01:27,504 --> 00:01:28,714 I LOVE THIS SONG. 26 00:01:28,756 --> 00:01:30,632 NO. UH-HUH. NO. I DON'T DANCE. 27 00:01:30,674 --> 00:01:32,133 -YES, YOU DO. -GWEN, I DON'T. 28 00:01:32,175 --> 00:01:33,343 YOU'VE BEEN HOLDING OUT ON ME. 29 00:01:33,385 --> 00:01:34,929 -I DON'T. -I KNOW IT. 30 00:01:34,970 --> 00:01:37,431 KING FLOYD: ♪ A MAN ON THE SCENE ♪ 31 00:01:37,472 --> 00:01:39,683 ♪ I CAN GIVE YOU WHAT YOU WANT ♪ 32 00:01:39,725 --> 00:01:41,977 ♪ IF YOU COME GO HOME WITH ME ♪ 33 00:01:42,019 --> 00:01:44,563 ♪ I GOT SOME GOOD OLD LOVIN' ♪ 34 00:01:44,605 --> 00:01:46,982 ♪ AND I GOT MORE IN STORE ♪ 35 00:01:47,024 --> 00:01:49,276 ♪ WHEN I GET THROUGH THROWING IT ON YOU ♪ 36 00:01:49,317 --> 00:01:52,362 ♪ YOU GOT TO COME BACK FOR MORE ♪ 37 00:01:52,404 --> 00:01:54,448 ♪ BOYS WILL COME A DIME BY THE DOZEN ♪ 38 00:01:54,489 --> 00:01:56,951 ♪ THAT AIN'T NOTHING BUT 10-CENT LOVING ♪ 39 00:01:56,992 --> 00:01:58,869 ♪ PRETTY LITTLE THING, LET ME LIGHT YOUR CANDLE ♪ 40 00:01:58,911 --> 00:02:01,288 ♪ 'CAUSE, MAMA, I'M SURE HARD TO HANDLE NOW ♪ 41 00:02:01,329 --> 00:02:03,832 ♪ YOU KNOW, HEY ♪ 42 00:02:05,751 --> 00:02:06,961 ♪ YEAH ♪ 43 00:02:07,002 --> 00:02:13,050 OTIS REDDING: ♪ THEY ARE LONELY ♪ 44 00:02:13,092 --> 00:02:18,221 ♪ LONELY AND FEELING BLUE ♪ 45 00:02:18,263 --> 00:02:23,936 ♪ THESE ARMS OF MINE... ♪ 46 00:02:23,978 --> 00:02:25,520 RYAN: HEY COME HERE. 47 00:02:25,562 --> 00:02:27,564 MIKE! 48 00:02:27,606 --> 00:02:29,316 RYAN: HEY. MIKE: HEY. 49 00:02:29,357 --> 00:02:30,859 I DIDN'T KNOW IF YOU WERE GONNA MAKE IT. 50 00:02:30,901 --> 00:02:33,612 I ALMOST DIDN'T I CAME RIGHT FROM THE AIRPORT. 51 00:02:33,654 --> 00:02:36,323 AH. THIS IS GWEN. MIKE, GWEN. 52 00:02:36,364 --> 00:02:38,659 HE TALKS ABOUT YOU ALL THE TIME. 53 00:02:38,700 --> 00:02:40,327 OK. HI. 54 00:02:40,368 --> 00:02:42,412 YOU'RE RESPONSIBLE FOR THE BIG GRIN ON THIS GUY'S FACE. 55 00:02:42,454 --> 00:02:44,039 MAX: MIKE. 56 00:02:47,001 --> 00:02:48,502 YOU LOOK GREAT. 57 00:02:48,543 --> 00:02:52,631 THANKS. UH, THIS IS-- THIS IS TOM REYES. 58 00:02:52,673 --> 00:02:53,757 MIKE WESTON. 59 00:02:53,799 --> 00:02:55,509 YOU'RE JUST BACK FROM THE FIELD? 60 00:02:55,550 --> 00:02:56,927 YEAH. 61 00:02:56,969 --> 00:02:59,721 UH, TOM WORKS FOR OUR HOSTAGE RESCUE TEAM 62 00:02:59,763 --> 00:03:01,140 IN NEW YORK. 63 00:03:01,180 --> 00:03:04,183 "OUR." SO IT'S TRUE. YOU JOINED THE BUREAU. 64 00:03:04,225 --> 00:03:07,062 I'VE GOT ABOUT A MONTH ON THE JOB. 65 00:03:07,104 --> 00:03:09,314 HEH. 66 00:03:09,356 --> 00:03:11,066 YOU LOOK THIRSTY. DO YOU WANT A DRINK? 67 00:03:11,108 --> 00:03:13,234 -YEAH, YEAH. LET'S GO. -COME ON. 68 00:03:13,276 --> 00:03:14,569 LEAD THE WAY. 69 00:03:16,030 --> 00:03:18,157 MAN: ♪ UP AND DOWN THE HIGHWAY ♪ 70 00:03:18,197 --> 00:03:19,783 -HEY. -OOH. CAREFUL. 71 00:03:19,825 --> 00:03:21,910 OH, YEAH. THAT WAS DEFINITELY MY FAULT. 72 00:03:21,952 --> 00:03:23,120 LOOK AT HER. SHE'S BEEN THROUGH HELL. 73 00:03:23,162 --> 00:03:24,872 SHE DESERVES A LITTLE JOY, HUH? 74 00:03:24,913 --> 00:03:26,665 YEAH. I THINK WE ALL DESERVE SOME PEACE. 75 00:03:26,707 --> 00:03:28,709 AMEN TO THAT. I KNOW I'LL FEEL A WHOLE LOT BETTER 76 00:03:28,750 --> 00:03:31,045 WHEN THEY FINALLY PUT JOE CARROLL OUT OF HIS MISERY. 77 00:03:31,086 --> 00:03:32,713 LESS THAN A MONTH, MAN. 78 00:03:32,754 --> 00:03:34,589 WELL, HERE'S TO ALL THE QUESTIONS AND SECOND GUESSING 79 00:03:34,631 --> 00:03:38,552 DYING ALONG WITH HIM. SALUD. 80 00:03:38,593 --> 00:03:40,804 MAN: IT WOULD APPEAR THAT THE FBI ALLOWED MR. HARDY 81 00:03:40,846 --> 00:03:43,431 TO CONDUCT HIS OWN LAWLESS REIGN OF TERROR 82 00:03:43,473 --> 00:03:45,100 TO FIND JOE CARROLL. 83 00:03:45,142 --> 00:03:46,727 THAT COULDN'T BE FURTHER FROM THE TRUTH, CONGRESSMAN. 84 00:03:46,768 --> 00:03:48,854 YOU HAVE ANYTHING YOU'D LIKE ADD, AGENT HARDY? 85 00:03:56,028 --> 00:03:58,363 NOPE. 86 00:03:58,405 --> 00:04:00,532 WELL, WHILE WE'RE APPRECIATIVE 87 00:04:00,574 --> 00:04:01,825 OF THE WORK YOU'VE DONE 88 00:04:01,867 --> 00:04:03,035 IN APPREHENDING JOE CARROLL, 89 00:04:03,077 --> 00:04:05,537 I DON'T THINK WE CAN IN GOOD CONSCIENCE 90 00:04:05,579 --> 00:04:07,789 SIMPLY IGNORE YOUR METHODS 91 00:04:07,831 --> 00:04:10,250 AND THE MANY LIVES LOST. 92 00:04:10,291 --> 00:04:12,460 THAT SAID, AT THIS TIME, 93 00:04:12,502 --> 00:04:15,380 OUR INVESTIGATION HAS FOUND NO SUBSTANTIVE EVIDENCE 94 00:04:15,422 --> 00:04:16,715 OF CRIMINAL WRONGDOING. 95 00:04:32,480 --> 00:04:33,774 HELLO. 96 00:04:33,815 --> 00:04:35,400 SORRY I CAN'T STAY LATE. 97 00:04:35,442 --> 00:04:37,318 I HAVE THE EARLY SHIFT IN THE ER TOMORROW. 98 00:04:37,360 --> 00:04:38,361 STAY AT MY PLACE. 99 00:04:38,403 --> 00:04:39,446 IT'S CLOSE TO THE HOSPITAL. 100 00:04:39,487 --> 00:04:40,447 AGAIN? 101 00:04:40,488 --> 00:04:41,782 YEAH. WHY NOT? 102 00:04:41,823 --> 00:04:43,075 SO YOU'RE SAYING YOU LIKE HAVING ME AROUND? 103 00:04:43,117 --> 00:04:45,244 UH, YEAH. I THINK YOU KNOW THAT. 104 00:04:45,284 --> 00:04:48,080 BECAUSE MY LEASE IS UP AT THE END OF THE MONTH. 105 00:04:48,122 --> 00:04:50,331 OH! I SEE WHAT YOU DID THERE. 106 00:04:50,373 --> 00:04:51,666 YOU SAID WE'D TALK ABOUT IT. 107 00:04:51,708 --> 00:04:53,961 AND WE WILL, BUT RIGHT NOW, CAKE! 108 00:04:54,002 --> 00:04:55,336 MUST HAVE CAKE. 109 00:04:55,378 --> 00:04:57,047 RYAN, YOU COWARD. 110 00:05:03,637 --> 00:05:06,431 OH. I'M SO SORRY. 111 00:05:06,473 --> 00:05:08,683 I DIDN'T MEAN TO FRIGHTEN YOU. 112 00:05:08,725 --> 00:05:10,727 YEAH. IT'S OK. 113 00:05:10,769 --> 00:05:13,021 WAS THAT RYAN HARDY YOU WERE TALKING TO? 114 00:05:13,063 --> 00:05:16,275 YEAH. DO YOU KNOW HIM? 115 00:05:16,316 --> 00:05:18,944 JUST FROM THE NEWS. 116 00:05:18,986 --> 00:05:21,155 I SHOULD REALLY GET BACK INSIDE. 117 00:05:21,196 --> 00:05:22,489 HE'S THE GUY WHO CAUGHT 118 00:05:22,530 --> 00:05:24,324 JOE CARROLL, RIGHT? 119 00:05:26,325 --> 00:05:29,788 YEAH, THAT'S RIGHT. 120 00:05:29,830 --> 00:05:32,666 PEOPLE ARE CALLING HIM A HERO. 121 00:05:32,707 --> 00:05:35,502 THE TOASTS ARE STARTING. EXCUSE ME. 122 00:05:35,543 --> 00:05:36,837 CLARKE: MAKE A TOAST. GO AHEAD, RYAN. 123 00:05:36,878 --> 00:05:38,880 WHENEVER YOU'RE READY. JUST FIRE AWAY. 124 00:05:41,549 --> 00:05:43,384 WHEN YOU MEET THE RIGHT GIRL, 125 00:05:43,426 --> 00:05:46,054 YOU JUST KNOW. 126 00:05:46,096 --> 00:05:49,016 AND MAY--MAYBE YOU'RE NOT EVEN LOOKING, 127 00:05:49,057 --> 00:05:51,768 AND THEN SUDDENLY, THERE SHE IS, 128 00:05:51,810 --> 00:05:53,687 AND SHE'S SUCH A PERFECT FIT, 129 00:05:53,728 --> 00:05:55,438 YOU CAN'T DENY IT, 130 00:05:55,480 --> 00:05:57,691 AND YOU GOT TO-- YOU GOT TO GIVE HER 131 00:05:57,732 --> 00:05:59,734 A PLACE IN YOUR HEART, 132 00:05:59,776 --> 00:06:02,654 A PLACE THAT YOU DIDN'T EVEN THINK 133 00:06:02,696 --> 00:06:04,531 EXISTED ANYMORE, 134 00:06:04,572 --> 00:06:06,867 AND THEN EVERYTHING CHANGES, 135 00:06:06,908 --> 00:06:10,704 AND WHERE THERE WAS HURT, 136 00:06:10,745 --> 00:06:13,581 THERE'S COMFORT. 137 00:06:13,623 --> 00:06:15,334 WHERE THERE WAS DARK, 138 00:06:15,374 --> 00:06:17,294 THERE'S LIGHT. 139 00:06:17,336 --> 00:06:19,504 IF YOU FIND THAT KIND OF LOVE, 140 00:06:19,546 --> 00:06:21,340 YOU GOT TO HANG ON, MAN. 141 00:06:21,380 --> 00:06:22,465 CLARKE: AMEN TO THAT. 142 00:06:22,507 --> 00:06:23,884 YOU DON'T LET GO. 143 00:06:23,925 --> 00:06:25,510 YOU DON'T LET GO. 144 00:06:25,552 --> 00:06:27,846 CHEERS. 145 00:06:27,888 --> 00:06:29,388 LIAR! 146 00:06:32,642 --> 00:06:35,229 YOU KILLED MY DAUGHTER! 147 00:06:35,270 --> 00:06:36,604 SHE WAS AT THE KORBAN COMPOUND! 148 00:06:36,646 --> 00:06:40,192 YOU SHOT HER IN COLD BLOOD! 149 00:06:40,234 --> 00:06:42,069 SHE DID NOT DESERVE THAT! 150 00:06:42,110 --> 00:06:43,237 SHE WAS 19. 151 00:06:43,278 --> 00:06:44,487 MAN: SIR. 152 00:06:44,529 --> 00:06:49,408 SHERRY--SHERRY WAS SUCH A BEAUTIFUL GIRL. 153 00:06:49,450 --> 00:06:51,452 SHE JUST LOST HER WAY. 154 00:06:57,209 --> 00:07:00,128 YOU'RE A MURDERER. 155 00:07:00,170 --> 00:07:02,714 YOU AND JOE CARROLL SHOULD BE SHARING A CELL 156 00:07:02,756 --> 00:07:05,008 ON DEATH ROW. 157 00:07:05,050 --> 00:07:07,094 GUYS. 158 00:07:07,135 --> 00:07:09,096 LET HIM GO. 159 00:07:09,137 --> 00:07:10,264 CLARKE: ARE YOU SURE? 160 00:07:10,305 --> 00:07:11,723 IT'S ALL RIGHT. LET HIM GO. 161 00:07:43,797 --> 00:07:45,340 MORNING. 162 00:07:45,382 --> 00:07:47,634 HEY. 163 00:07:47,675 --> 00:07:48,802 SLEEP OK? 164 00:07:48,843 --> 00:07:50,053 YEAH. YOU? 165 00:07:50,095 --> 00:07:52,139 YOUR FBI BUDDIES SURE KNOW HOW 166 00:07:52,180 --> 00:07:53,932 TO THROW A WEDDING. 167 00:07:53,974 --> 00:07:55,934 I GOT TO SAY I DIDN'T SEE THAT COMING. 168 00:07:55,976 --> 00:07:57,018 YEAH. 169 00:08:06,236 --> 00:08:09,448 RYAN, THAT MAN'S GRIEF WAS HEARTBREAKING, 170 00:08:09,489 --> 00:08:12,491 BUT YOU CAN'T BLAME YOURSELF FOR HIS DAUGHTER'S DEATH. 171 00:08:12,533 --> 00:08:14,244 YOU WERE DOING YOUR JOB. 172 00:08:14,286 --> 00:08:17,247 I KNOW. 173 00:08:17,289 --> 00:08:18,957 HOW MANY MORE PEOPLE WOULD JOE CARROLL HAVE KILLED 174 00:08:18,999 --> 00:08:20,459 IF YOU HADN'T STOPPED HIM? 175 00:08:20,500 --> 00:08:23,503 BUT SO MANY LOST THEIR LIVES, YOU KNOW, 176 00:08:23,544 --> 00:08:26,547 AND IT'S EASY TO SEE THEM AS JUST AN EXTENSION OF JOE, 177 00:08:26,589 --> 00:08:29,968 BUT I DON'T EVEN RECOGNIZE THAT NAME--SHERRY. 178 00:08:30,010 --> 00:08:32,220 THE MORE I REALLY THINK ABOUT IT, 179 00:08:32,262 --> 00:08:34,639 THERE'S ONLY A HANDFUL OF NAMES THAT I DO REMEMBER. 180 00:08:34,681 --> 00:08:37,184 JOE CARROLL TURNED THOSE PEOPLE INTO KILLERS. 181 00:08:37,225 --> 00:08:42,230 BUT THEIR LIVES, THEIR FAMILIES SHOULD STILL MATTER. 182 00:08:42,272 --> 00:08:44,441 AND THEY DO. 183 00:08:44,483 --> 00:08:46,443 THEN WHY DON'T I REMEMBER THEIR NAMES? 184 00:08:51,906 --> 00:08:54,659 HOPKINS, TRACK DOWN A FILE FOR ME, WILL YOU? 185 00:08:54,701 --> 00:08:58,205 DECEASED KORBAN MEMBER NAMED SHERRY, LAST NAME UNKNOWN. 186 00:08:58,246 --> 00:08:59,706 I'LL SEE WHAT I CAN FIND. 187 00:08:59,747 --> 00:09:00,915 ALL RIGHT. THANKS. 188 00:09:04,044 --> 00:09:05,170 MENDEZ. 189 00:09:05,212 --> 00:09:06,587 HEY. 190 00:09:06,629 --> 00:09:08,465 HOW'S DAWN HOLDING UP? 191 00:09:08,507 --> 00:09:10,050 WASN'T HOW WE DREAMED OUR WEDDING RECEPTION WOULD END, 192 00:09:10,091 --> 00:09:11,926 BUT SHE'S HANGING IN THERE. 193 00:09:11,968 --> 00:09:13,845 OH. MAKE IT UP TO HER ON YOUR HONEYMOON? 194 00:09:13,887 --> 00:09:16,848 WHICH I HAD TO POSTPONE TILL AFTER JOE CARROLL'S EXECUTION. 195 00:09:16,890 --> 00:09:19,476 SO SHE'S JUST LOVING BEING MARRIED TO THE FBI. 196 00:09:19,518 --> 00:09:20,852 PRETTY MUCH. 197 00:09:20,894 --> 00:09:22,020 MIKE: FOR THE PAST 9 MONTHS, 198 00:09:22,062 --> 00:09:23,438 I'VE BEEN FOLLOWING UP ON RUMORS OF 199 00:09:23,480 --> 00:09:25,232 MARK GRAY SIGHTINGS IN EUROPE AND SOUTH AMERICA. 200 00:09:25,273 --> 00:09:27,192 I DO BELIEVE I'VE ISOLATED AND FROZEN MOST 201 00:09:27,234 --> 00:09:28,985 OF THE CONSIDERABLE GRAY FORTUNE. 202 00:09:29,027 --> 00:09:30,737 I FEEL CONFIDENT THAT FOLLOWING THROUGH 203 00:09:30,778 --> 00:09:32,780 WITH THIS PROTOCOL WILL EVENTUALLY FORCE GRAY INTO THE OPEN. 204 00:09:32,822 --> 00:09:34,908 THANK YOU, AGENT WESTON. 205 00:09:34,949 --> 00:09:37,660 CARROLL'S EXECUTION'S SET FOR THE END OF THIS MONTH. 206 00:09:37,702 --> 00:09:39,329 WE ALL NEED TO BE ON THE LOOKOUT 207 00:09:39,371 --> 00:09:40,872 FOR ANY SUSPICIOUS ACTIVITY. 208 00:09:40,914 --> 00:09:43,666 WE BELIEVE WE'VE ELIMINATED HIS NETWORK OF FOLLOWERS, 209 00:09:43,708 --> 00:09:45,919 BUT AS YOU ALL KNOW, WE COULD NEVER BE ABSOLUTELY SURE. 210 00:09:45,960 --> 00:09:47,462 CARROLL HIMSELF IS NOT A THREAT. 211 00:09:47,504 --> 00:09:48,922 SINCE HIS RECAPTURE, HE'S BEEN 212 00:09:48,963 --> 00:09:50,631 UNDER 24-HOUR LOCKDOWN 213 00:09:50,673 --> 00:09:52,092 IN AN UNDISCLOSED FEDERAL FACILITY. 214 00:09:52,133 --> 00:09:54,094 MAX: I'VE BEEN MONITORING THE WEB. 215 00:09:54,135 --> 00:09:56,054 THERE'S A LOT OF CHATTER BUT NO CONFIRMED THREATS TO PUBLIC SAFETY. 216 00:09:56,096 --> 00:09:57,556 STAY ON THAT. 217 00:09:57,597 --> 00:09:59,307 I NEED YOU ALL TO BE VIGILANT. 218 00:09:59,349 --> 00:10:03,019 A NEW THREAT COULD EXPOSE ITSELF AT ANY MOMENT. 219 00:10:14,448 --> 00:10:15,698 HER. 220 00:10:23,664 --> 00:10:24,624 HI. 221 00:10:24,665 --> 00:10:25,542 HEY. 222 00:10:25,584 --> 00:10:27,377 I'M NATALIE, 223 00:10:27,419 --> 00:10:29,588 AND, UH, THAT'S MY HUSBAND KENNY. 224 00:10:29,629 --> 00:10:31,590 IT'S OUR SECOND WEDDING ANNIVERSARY. 225 00:10:31,631 --> 00:10:32,882 CONGRATULATIONS. 226 00:10:32,924 --> 00:10:34,717 THE FIRST YEAR'S THE HARDEST. 227 00:10:34,759 --> 00:10:36,219 TELL ME ABOUT IT. 228 00:10:36,261 --> 00:10:40,723 ANYWAY, MY HUSBAND THINKS YOU'RE STUNNING. 229 00:10:40,765 --> 00:10:42,641 THAT'S SWEET. 230 00:10:42,683 --> 00:10:45,186 SO WOULD IT BE WRONG IF I ASKED 231 00:10:45,228 --> 00:10:47,147 IF YOU WERE WORKING? 232 00:10:47,188 --> 00:10:49,232 I'D BE HAPPY TO MAKE YOUR ANNIVERSARY 233 00:10:49,274 --> 00:10:51,025 SOMETHING TO REMEMBER 234 00:10:51,067 --> 00:10:53,027 JUST SO LONG AS YOU KNOW COUPLES COST A LITTLE BIT MORE. 235 00:11:00,743 --> 00:11:02,829 HOLD ON, HOLD ON. 236 00:11:02,870 --> 00:11:04,331 HOLD ON, KENNY. 237 00:11:04,372 --> 00:11:06,625 THIS HAS TO BE FUN FOR BOTH OF YOU. 238 00:11:13,507 --> 00:11:14,508 NO, NO, NO. 239 00:11:14,549 --> 00:11:16,176 STAY WHERE YOU ARE. 240 00:11:17,676 --> 00:11:19,471 ENJOY THE ANTICIPATION. 241 00:11:31,899 --> 00:11:34,611 MAKE IT NICE AND TIGHT. 242 00:11:53,796 --> 00:11:56,090 WHAT THE HELL WAS THAT? 243 00:11:59,177 --> 00:12:01,596 NATALIE: KENNY, I-I THINK IT'S COMING FROM THE CLOSET. 244 00:12:21,032 --> 00:12:22,783 NO, NO, NO! 245 00:12:22,825 --> 00:12:23,868 UNH! 246 00:12:41,010 --> 00:12:42,721 YOU STARTED WITHOUT ME, DAISY? 247 00:12:48,268 --> 00:12:49,561 DON'T POUT, KYLE. 248 00:12:49,603 --> 00:12:51,521 I WAS JUST GETTING MY ENGINE STARTED. 249 00:12:51,563 --> 00:12:53,565 YOU KNOW THE BEST IS YET TO COME. 250 00:12:58,111 --> 00:13:00,196 THEY WERE ON THEIR SECOND WEDDING ANNIVERSARY. 251 00:13:00,238 --> 00:13:02,574 OH, SWEET. 252 00:13:02,616 --> 00:13:04,075 WHAT DO I CALL YOU? 253 00:13:04,117 --> 00:13:05,826 NATALIE. 254 00:13:05,868 --> 00:13:07,370 AND WHAT'S MY NAME? 255 00:13:07,412 --> 00:13:08,787 KENNY, 256 00:13:08,829 --> 00:13:10,873 AND YOU'RE KIND OF AGGRO. 257 00:13:15,253 --> 00:13:16,795 IT'S GOOD TO HAVE YOU BACK, MIKE. 258 00:13:16,837 --> 00:13:18,089 DOESN'T SEEM LIKE I'VE BEEN MISSED AROUND HERE. 259 00:13:18,131 --> 00:13:20,216 WELL, YOU HAVE. I'VE MISSED YOU. 260 00:13:20,258 --> 00:13:21,426 THANKS. 261 00:13:21,468 --> 00:13:23,637 HEY. GWEN-- SHE SEEMS GREAT. 262 00:13:23,678 --> 00:13:25,305 HOW LONG HAVE YOU TWO BEEN TOGETHER? 263 00:13:25,346 --> 00:13:27,181 ABOUT 6 MONTHS. HONESTLY, I HAVEN'T FELT LIKE THIS 264 00:13:27,223 --> 00:13:28,767 IN A REALLY LONG TIME. 265 00:13:30,809 --> 00:13:31,978 AND JOE? 266 00:13:34,188 --> 00:13:35,315 YOU BEEN TO SEE HIM? 267 00:13:35,356 --> 00:13:37,400 NOPE. I'VE MOVED ON. 268 00:13:39,152 --> 00:13:40,695 YOU WILL, TOO, 269 00:13:40,737 --> 00:13:43,906 AS SOON AS WE CATCH MARK. 270 00:13:43,948 --> 00:13:45,950 WHO KNOWS? MAYBE YOU'LL TAKE MY JOB. 271 00:13:45,992 --> 00:13:47,494 WHAT, ARE YOU LEAVING US? 272 00:13:47,535 --> 00:13:48,953 WHEN IT'S TIME. 273 00:14:00,089 --> 00:14:01,633 MAX: DON'T GO. 274 00:14:01,675 --> 00:14:02,717 I HAVE TO GO. 275 00:14:02,759 --> 00:14:04,093 NO, YOU DON'T. 276 00:14:04,135 --> 00:14:05,928 WE'VE TALKED ABOUT THIS. 277 00:14:05,970 --> 00:14:07,555 MARK IS STILL OUT THERE. 278 00:14:07,597 --> 00:14:09,932 AND EVERY LAW ENFORCEMENT AGENCY IN THE WORLD 279 00:14:09,974 --> 00:14:11,434 IS HUNTING HIM. 280 00:14:11,476 --> 00:14:12,851 THAT DOESN'T MATTER. 281 00:14:12,893 --> 00:14:14,979 CATCHING HIM IS MY JOB. 282 00:14:15,021 --> 00:14:17,398 YOU MEAN KILLING HIM. 283 00:14:17,440 --> 00:14:19,025 IF THAT'S WHAT IT TAKES. 284 00:14:20,943 --> 00:14:23,154 LIKE LILY. 285 00:14:23,196 --> 00:14:25,031 I KNOW I PUT YOU IN A BAD POSITION. 286 00:14:25,072 --> 00:14:26,407 A BAD POSITION? 287 00:14:26,449 --> 00:14:28,785 MIKE, I COVERED UP AN EXECUTION. 288 00:14:28,827 --> 00:14:30,953 THEY MURDERED MY FATHER IN FRONT OF ME. I HAVE NO PROBLEM 289 00:14:30,995 --> 00:14:33,122 PUTTING HER DOWN THE WAY I DID. IF YOU DO, I'M SORRY. 290 00:14:33,164 --> 00:14:35,249 MIKE, PLEASE. 291 00:14:37,293 --> 00:14:40,963 STAY HERE WITH ME. 292 00:14:41,005 --> 00:14:42,590 I CAN'T. 293 00:14:46,093 --> 00:14:47,762 LOOK. I'LL CALL YOU WHEN I LAND. 294 00:14:47,804 --> 00:14:49,013 DON'T. 295 00:14:58,565 --> 00:14:59,858 WE SHOULD CATCH UP SOMETIME. 296 00:14:59,899 --> 00:15:02,943 YEAH. WHEN THINGS CALM DOWN AROUND HERE. 297 00:15:06,740 --> 00:15:08,867 AGENT HARDY. 298 00:15:08,908 --> 00:15:09,992 SHERRY, LAST NAME MILLER. 299 00:15:10,034 --> 00:15:11,411 19 YEARS OLD FROM QUEENS. 300 00:15:11,452 --> 00:15:12,871 SHE DIED OF A THROUGH-AND-THROUGH GUNSHOT WOUND TO THE 301 00:15:12,911 --> 00:15:14,038 NECK DURING THE RAID ON KORBAN. 302 00:15:14,080 --> 00:15:15,707 NO WAY TO KNOW WHO SHOT HER. 303 00:15:15,749 --> 00:15:16,999 THANKS. 304 00:15:33,558 --> 00:15:36,853 CLARKE: WHAT ARE YOU DOING, RYAN? 305 00:15:36,895 --> 00:15:38,563 GUY FROM THE WEDDING. 306 00:15:38,605 --> 00:15:40,231 IT'S HIS DAUGHTER. 307 00:15:40,273 --> 00:15:41,982 SHE WAS ONE OF JOE CARROLL'S FOLLOWERS, RIGHT? 308 00:15:42,024 --> 00:15:43,735 YEAH. 309 00:15:43,777 --> 00:15:48,114 WE PUT ALL OF THAT STUFF BEHIND US. 310 00:15:48,155 --> 00:15:50,825 JUST LET IT GO. 311 00:15:50,867 --> 00:15:52,118 YEAH. 312 00:16:09,302 --> 00:16:10,887 I'M RYAN HARDY. 313 00:16:10,929 --> 00:16:14,056 YEAH, I KNOW WHO YOU ARE. 314 00:16:14,098 --> 00:16:16,225 SORRY TO BOTHER YOU. I WAS HOPING I COULD 315 00:16:16,267 --> 00:16:19,562 TALK TO YOU ABOUT YOUR DAUGHTER. 316 00:16:19,604 --> 00:16:21,355 I JUST NEEDED TO SAY I'M SORRY 317 00:16:21,397 --> 00:16:24,150 ABOUT WHAT HAPPENED TO SHERRY. 318 00:16:24,191 --> 00:16:26,193 NO PARENT SHOULD HAVE TO BURY A CHILD. 319 00:16:29,656 --> 00:16:31,908 I LOVED MY DAUGHTER, 320 00:16:31,950 --> 00:16:34,619 BUT SHE WAS A TROUBLED GIRL. 321 00:16:34,661 --> 00:16:38,247 I DON'T BLAME YOU FOR WHAT HAPPENED. 322 00:16:38,289 --> 00:16:41,375 IS YOUR HUSBAND HERE? I WAS HOPING I COULD TALK TO HIM, TOO. 323 00:16:41,417 --> 00:16:42,543 JIMMY. 324 00:16:46,172 --> 00:16:48,132 CAN I HELP YOU? 325 00:16:48,174 --> 00:16:50,134 YOU'RE SHERRY'S FATHER? 326 00:16:50,176 --> 00:16:51,135 YES. 327 00:16:56,975 --> 00:16:58,392 YOU WERE SUPPOSED TO BE HERE 20 MINUTES AGO. 328 00:16:58,434 --> 00:17:00,019 KNOWING YOU TWO, 329 00:17:00,060 --> 00:17:02,271 I KNOW WHAT WAS GOING ON IN HERE 20 MINUTES AGO. 330 00:17:02,313 --> 00:17:05,733 I'D SAY RIGHT ON TIME. 331 00:17:05,775 --> 00:17:08,235 THIS IS ALL WRONG. 332 00:17:08,277 --> 00:17:11,531 WE HAVE TO MAKE THIS PERFECT, 333 00:17:11,572 --> 00:17:13,199 OR HE'LL KILL US ALL. 334 00:17:23,001 --> 00:17:24,919 GINA: LOOKS LIKE THE CRAZY IS STARTING. 335 00:17:28,339 --> 00:17:29,716 NATALIE: NO! 336 00:17:29,757 --> 00:17:31,133 KENNY: UNH! 337 00:17:31,175 --> 00:17:32,426 MENDEZ: THEY WERE KILLED THIS AFTERNOON. 338 00:17:32,468 --> 00:17:33,970 MAN AT WEDDING: LIAR! 339 00:17:34,012 --> 00:17:34,888 MIKE: RYAN. 340 00:17:34,929 --> 00:17:36,138 THEY'VE TOLD LIES! 341 00:17:36,180 --> 00:17:38,766 RYAN? 342 00:17:38,808 --> 00:17:40,393 RYAN, VOICE-OVER: WHY DON'T I REMEMBER THEIR NAMEES? 343 00:17:42,729 --> 00:17:43,730 MIKE: RYAN. 344 00:17:48,526 --> 00:17:49,903 GET AN I.D. ON OUR VICTIMS? 345 00:17:49,944 --> 00:17:51,153 MENDEZ: KENNY AND NATALIE BROOKS, 346 00:17:51,195 --> 00:17:52,697 IN TOWN FROM GREENWICH. 347 00:17:55,324 --> 00:17:57,911 BARTENDER SAYS HE SAW THEM TALKING TO A PROSTITUTE AT THE BAR, 348 00:17:57,952 --> 00:18:00,830 BUT ALL HE REMEMBERS IS THAT SHE WAS A BRUNETTE. 349 00:18:00,872 --> 00:18:02,665 YOU THINK THIS WAS JOE'S PEOPLE? 350 00:18:02,707 --> 00:18:05,919 UH, THERE'S NO MENTION OF JOE HERE, JUST ME. 351 00:18:05,960 --> 00:18:07,378 THIS IS THE SECOND TIME IN 24 HOURS 352 00:18:07,420 --> 00:18:09,005 THAT I'VE BEEN CALLED A LIAR. 353 00:18:09,047 --> 00:18:10,256 YEAH. WE'LL, THAT CAN'T BE A COINCIDENCE. 354 00:18:10,297 --> 00:18:11,549 OUR FAKE DAD FROM THE WEDDING'S 355 00:18:11,591 --> 00:18:13,091 GOT TO BE TIED TO US SOMEHOW. 356 00:18:13,133 --> 00:18:14,468 WEDDING PHOTOGRAPHER'S ALREADY PULLING PHOTOGRAPHS. 357 00:18:14,510 --> 00:18:16,178 HOPEFULLY WE'LL GET A MATCH IN THE SYSTEM. 358 00:18:16,220 --> 00:18:18,472 HOTEL HAS THE ROOM LISTED AS EMPTY, 359 00:18:18,514 --> 00:18:20,224 SO WE THINK THAT OUR HOOKER USED 360 00:18:20,266 --> 00:18:22,060 A MAID'S CARD KEY TO GET IN. 361 00:18:22,101 --> 00:18:23,853 OH. THE MAID'S BODY IS IN THE CLOSET. 362 00:18:23,895 --> 00:18:25,438 HOTEL SECURITY VIDEO? 363 00:18:25,479 --> 00:18:26,940 DISABLED DURING THE ATTACK. 364 00:18:26,981 --> 00:18:29,108 OUR GIRL KNEW WHAT SHE WAS DOING. 365 00:18:29,149 --> 00:18:30,902 SHE WASN'T ALONE. 366 00:18:30,944 --> 00:18:32,904 DEFINITELY MORE THAN ONE ATTACKER. 367 00:18:32,946 --> 00:18:34,614 MOST LIKELY A MALE BASED ON THE STRENGTH 368 00:18:34,655 --> 00:18:37,241 REQUIRED TO STAGE THIS, 369 00:18:37,283 --> 00:18:39,953 AND THEY'RE NOT DONE. 370 00:18:39,994 --> 00:18:41,370 HOW DO YOU KNOW? 371 00:18:41,412 --> 00:18:45,041 THEY GOT SOME KIND OF AN AGENDA OR MESSAGE, 372 00:18:45,083 --> 00:18:46,960 AND THEY KNOW THAT THEY HAVEN'T GIVEN US ENOUGH YET 373 00:18:47,001 --> 00:18:48,168 TO FIGURE IT OUT. 374 00:18:51,089 --> 00:18:53,507 WHICH MEANS THE KILLING IS ONLY BEGINNING. 375 00:19:04,393 --> 00:19:08,022 YOU TWO HAVE A ROOM, YOU KNOW? 376 00:19:08,064 --> 00:19:12,026 OUR LOVE CANNOT BE CONTAINED IN A ROOM. 377 00:19:12,068 --> 00:19:13,235 HEY. ANDREW, SWEETIE, 378 00:19:13,277 --> 00:19:15,154 DO YOU HAVE ANY MORE OF THOSE YOGURTS? 379 00:19:15,195 --> 00:19:16,697 YOU MEAN MY YOGURTS. 380 00:19:16,739 --> 00:19:18,908 LISTEN. I'VE CLEARLY MARKED MY FOOD IN THE FRIDGE, 381 00:19:18,950 --> 00:19:20,534 SO IF YOU TWO COULD JUST RESPECT THE LABELS. 382 00:19:20,576 --> 00:19:21,786 HEH HEH. ARE YOU KIDDING? 383 00:19:21,828 --> 00:19:23,037 NOT EVEN A LITTLE BIT. 384 00:19:23,079 --> 00:19:24,789 THIS LITTLE FORCED MARRIAGE BETWEEN US 385 00:19:24,831 --> 00:19:27,291 IS GOING TO WORK MUCH BETTER IF WE HAVE BOUNDARIES. 386 00:19:27,333 --> 00:19:28,584 WHATEVER, BRO. 387 00:19:30,670 --> 00:19:32,088 HAS HE EVEN COME DOWNSTAIRS? 388 00:19:32,130 --> 00:19:33,506 DID HE ASK HOW IT WENT? 389 00:19:33,547 --> 00:19:35,215 NO. HE'S IN ONE OF HIS MOODS. 390 00:19:35,257 --> 00:19:38,385 WELL, WE HAVE A JOB TO DO, ALL RIGHT? 391 00:19:38,427 --> 00:19:40,304 LET'S JUST GET IT DONE, 392 00:19:40,346 --> 00:19:42,181 AND WE CAN GET OUR LIVES BACK. 393 00:19:44,266 --> 00:19:45,351 OK. 394 00:19:49,063 --> 00:19:51,440 WE'RE STILL ADJUSTING TO THE TIME DIFFERENCE. 395 00:19:51,482 --> 00:19:53,567 THERE IS NO TIME DIFFERENCE BETWEEN HERE AND OHIO. 396 00:19:53,609 --> 00:19:55,736 JUST GIVE ME A MINUTE. I'LL RALLY. 397 00:19:55,778 --> 00:19:58,447 YOU KNOW WHAT? FORGET IT. 398 00:19:58,489 --> 00:20:00,700 I'LL DO THIS ONE MYSELF. 399 00:20:02,535 --> 00:20:04,328 WE'LL MEET YOU LATER. 400 00:20:04,370 --> 00:20:05,454 MAYBE I SHOULD GO WITH HIM? 401 00:20:05,496 --> 00:20:07,331 HE'S FINE. 402 00:20:07,373 --> 00:20:10,250 THAT GUY IS ONE SERIOUSLY TWISTED INDIVIDUAL. 403 00:20:16,632 --> 00:20:18,176 SHE WAS, UH... 404 00:20:18,216 --> 00:20:21,303 SHE WAS SO BEAUTIFUL. 405 00:20:21,345 --> 00:20:23,890 I CAN'T BELIEVE THAT SHE'S REALLY GONE. 406 00:20:26,308 --> 00:20:28,561 I CAN'T BELIEVE I'LL NEVER GET TO HOLD HER AGAIN 407 00:20:28,602 --> 00:20:30,146 OR... 408 00:20:35,193 --> 00:20:37,820 I MISS MY LITTLE GIRL SO MUCH. 409 00:20:44,243 --> 00:20:48,288 YOUR DAUGHTER SOUNDS LIKE SHE WAS REALLY SPECIAL. 410 00:20:48,330 --> 00:20:50,416 I LOST MY SISTER A FEW WEEKS AGO. 411 00:20:50,457 --> 00:20:53,544 OH. I'M SO SORRY. 412 00:20:53,586 --> 00:20:55,963 LOOK. UH, HOW ABOUT I BUY YOU A CUP OF COFFEE 413 00:20:56,005 --> 00:20:58,465 AND WE CAN TALK ABOUT HER? 414 00:20:58,507 --> 00:21:00,426 I GOT TO SAY THIS GUY'S PAIN FELT SO REAL. 415 00:21:00,467 --> 00:21:02,762 IT'S HARD TO BELIEVE HE WAS FAKING IT. 416 00:21:02,803 --> 00:21:04,180 MY GUESS IS HE PROBABLY GETS SOME KIND 417 00:21:04,222 --> 00:21:05,723 OF PERVERSE PLEASURE FROM IT, 418 00:21:05,765 --> 00:21:08,308 GREW UP UNABLE TO ACCESS ANY KIND OF REAL EMOTION, 419 00:21:08,350 --> 00:21:09,476 SO HE STARTED MIMICKING IT, 420 00:21:09,518 --> 00:21:10,686 FOUND OUT HE HAD A TRUE TALENT. 421 00:21:10,728 --> 00:21:12,188 NOW HE'S LAURENCE OLIVIER. 422 00:21:12,230 --> 00:21:13,856 HOPKINS: RYAN, SECURITY CALLED. 423 00:21:13,898 --> 00:21:15,608 GWEN'S DOWNSTAIRS. 424 00:21:15,649 --> 00:21:17,401 OK. BE RIGHT BACK. 425 00:21:17,443 --> 00:21:18,694 YEAH. 426 00:21:22,406 --> 00:21:23,741 HEY. 427 00:21:23,783 --> 00:21:25,701 FIGURED YOU COULD USE A DECENT CUP OF COFFEE. 428 00:21:25,743 --> 00:21:26,744 WOW. 429 00:21:26,786 --> 00:21:28,079 I GOT CAKE POPS, TOO. 430 00:21:28,121 --> 00:21:30,915 OH, WOW. THANKS. YOU'RE REALLY SWEET. 431 00:21:30,957 --> 00:21:33,292 THIS IS REALLY NOT A GOOD DAY FOR THIS. 432 00:21:33,333 --> 00:21:34,877 SURE. I UNDERSTAND. 433 00:21:34,919 --> 00:21:35,962 ARE YOU--YOU OK? 434 00:21:36,003 --> 00:21:37,296 YEAH, JUST BUSY. 435 00:21:40,091 --> 00:21:42,051 HONESTLY, IT LOOKS LIKE IT'S GONNA BE 436 00:21:42,093 --> 00:21:43,136 VERY BUSY FOR A WHILE, 437 00:21:43,177 --> 00:21:44,470 SO THERE'S A PRETTY GOOD CHANCE THAT 438 00:21:44,511 --> 00:21:46,889 YOU'RE NOT GONNA SEE THAT MUCH OF ME, IF AT ALL. 439 00:21:46,931 --> 00:21:48,641 WHAT ARE YOU DOING? 440 00:21:48,682 --> 00:21:50,350 WHAT? WHAT DO YOU MEAN? 441 00:21:50,392 --> 00:21:52,103 IF FEELS LIKE YOU'RE PUSHING ME AWAY. 442 00:21:52,145 --> 00:21:53,604 NO, I'M NOT. 443 00:21:55,564 --> 00:21:58,192 IT'S HAPPENING AGAIN, ISN'T IT? 444 00:21:58,234 --> 00:21:59,526 IS IT JOE? 445 00:22:01,112 --> 00:22:04,740 NO. I--I--I, UH, I THINK IT'S SOMETHING ELSE, 446 00:22:04,782 --> 00:22:06,492 BUT THERE IS A REAL POSSIBILITY 447 00:22:06,533 --> 00:22:08,202 THAT IT'S GONNA TAKE OVER MY LIFE FOR A WHILE, 448 00:22:08,244 --> 00:22:10,412 AND I JUST-- 449 00:22:10,454 --> 00:22:12,081 I WANT TO PROTECT YOU FROM THIS STUFF. 450 00:22:12,123 --> 00:22:14,458 WE'VE GOT SOMETHING REALLY SPECIAL, RYAN. 451 00:22:14,500 --> 00:22:16,460 I KNOW YOU FEEL IT, TOO. 452 00:22:16,502 --> 00:22:19,213 DON'T BE SO QUICK TO THROW US AWAY. 453 00:22:21,340 --> 00:22:23,843 MIKE: RYAN, WE GOT A HIT ON OUR GRIEVING FATHER. 454 00:22:23,884 --> 00:22:25,052 ANDREW JACOBS. 455 00:22:25,094 --> 00:22:26,512 HIS DRIVER'S LICENSE WAS ISSUED 10 MONTHS AGO. 456 00:22:26,553 --> 00:22:27,680 BEFORE THAT, HE DIDN'T EXIST. 457 00:22:27,721 --> 00:22:29,140 ADDRESS IN GREENPOINT. 458 00:22:31,184 --> 00:22:33,186 IT'S OK. GO. 459 00:22:33,227 --> 00:22:34,520 I'LL CALL YOU. 460 00:22:34,561 --> 00:22:36,189 THANKS FOR THE COFFEE. 461 00:22:46,699 --> 00:22:48,534 MIKE: WARM AND INVITING IT'S NOT. 462 00:22:48,575 --> 00:22:50,328 MAX: DON'T TELL ME YOU GOT SOFT OVERSEAS. 463 00:22:50,368 --> 00:22:51,495 NOT A CHANCE. 464 00:24:46,777 --> 00:24:48,195 WAIT, WAIT. 465 00:25:17,183 --> 00:25:19,352 FIRST, YOU'RE THE LIAR, NOW ME. 466 00:25:19,393 --> 00:25:21,312 WHY DOES THIS FEEL SO FAMILIAR? 467 00:25:28,319 --> 00:25:29,945 BECAUSE IT IS. 468 00:25:29,987 --> 00:25:31,738 YOU LIVED THIS MOMENT, 469 00:25:31,780 --> 00:25:32,948 YOU BOTH DID. 470 00:25:32,990 --> 00:25:34,116 IT'S A TABLEAU 471 00:25:34,158 --> 00:25:36,035 OF MAX SHOOTING LUKE. 472 00:25:41,165 --> 00:25:43,000 YOU'RE RIGHT. 473 00:25:43,042 --> 00:25:44,751 I WAS STANDING IN THE DOORWAY. 474 00:25:47,963 --> 00:25:49,507 MIKE, YOU WERE ON THE GROUND THERE. 475 00:25:53,052 --> 00:25:55,262 LUKE WAS ABOUT TO KILL YOU, 476 00:25:55,304 --> 00:25:56,347 AND I FIRED. 477 00:26:03,603 --> 00:26:06,690 MARK IS BEHIND THIS. 478 00:26:06,732 --> 00:26:09,151 [THE SHANGRI-LAS' "IT'S EASIER TO CRY" PLAYING] 479 00:26:13,030 --> 00:26:17,243 ♪ THEY SAY FORGET ABOUT HIM ♪ 480 00:26:17,284 --> 00:26:20,037 ♪ YOU'RE BETTER OFF WITHOUT HIM ♪ 481 00:26:20,079 --> 00:26:22,248 I USED GOAT CHEESE THIS TIME. 482 00:26:22,289 --> 00:26:24,208 SAW IT ON "MARTHA." 483 00:26:24,250 --> 00:26:26,085 SUPPOSED TO REALLY ELEVATE THE DISH. 484 00:26:26,126 --> 00:26:30,339 ♪ GUY-YYY ♪ 485 00:26:30,381 --> 00:26:33,967 ♪ BUT I LOVE HIM SO ♪ 486 00:26:34,009 --> 00:26:35,094 ♪ I CAN'T FORGET... ♪ 487 00:26:35,135 --> 00:26:38,264 JUST BE HONEST WITH ME, OK? 488 00:26:38,305 --> 00:26:39,806 I CAN TAKE IT. 489 00:26:39,848 --> 00:26:41,267 ♪ NO, NO ♪ 490 00:26:41,308 --> 00:26:43,685 ♪ IT'S EASIER TO CRY ♪ 491 00:26:43,727 --> 00:26:46,522 ♪ EASIER TO CRY ♪ 492 00:26:46,564 --> 00:26:51,151 ♪ AHH, AHH ♪ 493 00:26:51,193 --> 00:26:52,903 ♪ AHH, AHH ♪ 494 00:26:52,945 --> 00:26:54,071 WELL? 495 00:26:56,532 --> 00:26:57,533 HMM. 496 00:26:57,575 --> 00:26:59,159 ♪ CAN'T FORGET HIM ♪ 497 00:26:59,201 --> 00:27:00,578 ♪ NO, NO ♪ 498 00:27:00,618 --> 00:27:02,496 [AS LUKE] IT'S DELISH, LITTLE BRO. 499 00:27:02,538 --> 00:27:04,498 MARTHA'S GOT NOTHING ON YOU. 500 00:27:04,540 --> 00:27:05,665 ♪ CRY ♪ 501 00:27:05,707 --> 00:27:07,960 ♪ EASIER TO CRY ♪ 502 00:27:08,001 --> 00:27:10,963 THANKS. 503 00:27:11,004 --> 00:27:12,839 WELL, THERE'S PLENTY MORE, SO EAT UP. 504 00:27:12,881 --> 00:27:14,133 RYAN: OK, OK, EVERYBODY. LISTEN UP. 505 00:27:14,174 --> 00:27:15,759 OUR BOY MARK IS PUNISHING US 506 00:27:15,801 --> 00:27:17,094 FOR KILLING HIS FAMILY LAST YEAR. 507 00:27:17,136 --> 00:27:19,138 THESE MURDER SCENES ARE RE-CREATIONS 508 00:27:19,179 --> 00:27:20,473 OF THEIR DEATHS. 509 00:27:20,514 --> 00:27:21,765 THAT'S MAX THERE WITH THE GUN 510 00:27:21,807 --> 00:27:23,683 WHEN SHE KILLED LUKE, 511 00:27:23,725 --> 00:27:26,186 AGENT WESTON ON HIS KNEES, 512 00:27:26,228 --> 00:27:27,645 AND THAT'S ME 513 00:27:27,687 --> 00:27:29,356 RIGHT AFTER I KILLED GISELLE, 514 00:27:29,398 --> 00:27:31,317 MARK'S ADOPTED SISTER. 515 00:27:31,358 --> 00:27:32,859 MIKE: THE SCENES THAT LUKE AND MARK STAGED LAST YEAR 516 00:27:32,901 --> 00:27:34,403 WERE MORE RUDIMENTARY. 517 00:27:34,445 --> 00:27:36,113 THEY USED WHATEVER WAS AT HAND TO POSE THE BODIES. 518 00:27:36,155 --> 00:27:37,781 THIS IS MUCH MORE SOPHISTICATED. 519 00:27:37,823 --> 00:27:40,867 WHICH MEANS THAT MARK HAS HIS OWN FOLLOWERS NOW. 520 00:27:46,290 --> 00:27:47,333 MARK. 521 00:27:50,668 --> 00:27:52,963 WE'RE GETTING READY TO GO DO THE NEXT ONE. 522 00:27:53,005 --> 00:27:54,256 YOU SAID YOU WANTED TO COME. 523 00:27:57,675 --> 00:27:59,595 I CAN'T. 524 00:27:59,637 --> 00:28:00,720 YOU SURE? 525 00:28:00,762 --> 00:28:01,805 YEAH, YEAH, YEAH, YEAH. 526 00:28:01,847 --> 00:28:02,806 GO AHEAD WITHOUT ME. 527 00:28:02,848 --> 00:28:03,974 OK. 528 00:28:04,016 --> 00:28:05,434 NO PROBLEM. 529 00:28:20,574 --> 00:28:22,576 [AS LUKE] WHAT DO YOU MEAN CAN'T? 530 00:28:22,618 --> 00:28:24,286 HEY. THIS IS OUR REVENGE! 531 00:28:24,328 --> 00:28:26,497 YOU HAVE TO GO! 532 00:28:26,539 --> 00:28:28,207 [AS MARK] YOU DON'T UNDERSTAND. 533 00:28:28,248 --> 00:28:29,791 IT'S TOO PAINFUL. 534 00:28:29,833 --> 00:28:30,750 [AS LUKE] PAINFUL? TRY BEING SHOT 535 00:28:30,792 --> 00:28:33,212 IN THE FRIGGIN' HEAD! 536 00:28:33,253 --> 00:28:35,255 [AS MARK] I KNOW. YOU'RE RIGHT. I'M SORRY. 537 00:28:35,297 --> 00:28:37,007 [AS LUKE] WELL, DON'T BE SORRY, LITTLE BRO. 538 00:28:37,049 --> 00:28:40,093 BE ANGRY. 539 00:28:40,135 --> 00:28:41,637 YEAH. 540 00:28:41,679 --> 00:28:43,222 THEY KILLED US, 541 00:28:43,263 --> 00:28:44,390 AND THEY COVERED IT UP. 542 00:28:44,431 --> 00:28:46,099 WE'VE GOT TO MAKE THEM PAY. 543 00:28:48,185 --> 00:28:50,270 WE HAVE ALERTS OUT ON MARK ACROSS THE CITY. 544 00:28:50,312 --> 00:28:53,190 WHY IS HE WRITING YOU'VE LIED AT EVERY SCENE? 545 00:28:53,232 --> 00:28:54,191 -LIED ABOUT WHAT? -I DON'T KNOW. 546 00:28:54,233 --> 00:28:56,360 RYAN, I'M NOT BUYING-- 547 00:28:56,402 --> 00:28:57,861 HE'S DELUSIONAL, GINA. 548 00:28:57,903 --> 00:28:59,530 HIM AND HIS BROTHER WERE PSYCHOTICALLY CLOSE. 549 00:28:59,572 --> 00:29:01,240 I CAN'T IMAGINE WHAT LOSING LUKE HAS DONE 550 00:29:01,281 --> 00:29:04,117 TO HIS FRACTURED MIND. 551 00:29:04,159 --> 00:29:07,538 BUT I DO KNOW WHO HIS NEXT TARGET'S GONNA LOOK LIKE-- 552 00:29:07,580 --> 00:29:08,914 LILY GRAY. 553 00:29:12,000 --> 00:29:15,003 KYLE: I DON'T GET IT. WHY WOULD HE SIT THIS ONE OUT? 554 00:29:15,045 --> 00:29:17,631 I'D UNLEASH HELL ON EARTH IF YOU GOT KILLED. 555 00:29:17,673 --> 00:29:20,175 I GUESS MARK'S JUST A LITTLE MORE SENSITIVE THAN YOU. 556 00:29:22,636 --> 00:29:24,971 WHY AM I LETTING YOU GUYS HAVE ALL THE FUN? 557 00:29:27,266 --> 00:29:29,268 COME ON. LET'S GO KILL SOME PEOPLE. 558 00:29:41,113 --> 00:29:42,822 RYAN: MAX, GOT ANYTHING? 559 00:29:42,864 --> 00:29:44,617 PULL IT UP. CCTV CAMERA 560 00:29:44,658 --> 00:29:45,618 AT THE LINCOLN CENTER SUBWAY STOP 561 00:29:45,659 --> 00:29:47,536 TOOK THIS 20 MINUTES AGO. 562 00:29:47,578 --> 00:29:48,870 OK. HE'S NOT DRESSED LIKE THAT FOR FUN. 563 00:29:48,912 --> 00:29:50,289 ANY CATERED EVENTS IN THE NEIGHBORHOOD? 564 00:29:50,330 --> 00:29:52,458 I MEAN, IT'S NEW YORK. THERE'S PROBABLY 50. 565 00:29:52,499 --> 00:29:54,000 WE GOT TO THINK LIKE MARK. 566 00:29:54,042 --> 00:29:56,002 HE'S LOOKING FOR A DOPPELGANGER FOR HIS MOTHER. 567 00:29:56,044 --> 00:29:58,088 WHERE WOULD HE GO TO FIND HER? 568 00:29:58,130 --> 00:29:59,757 HOPKINS: GOT IT. ART FUNDRAISER 5 BLOCKS FROM THERE. 569 00:29:59,798 --> 00:30:01,925 THAT'S IT! HAVE NYPD MEET US THERE. 570 00:30:01,967 --> 00:30:04,428 CODE TWO, URGENT! 571 00:30:04,470 --> 00:30:06,764 [JAZZ PLAYING, INDISTINCT CHATTER] 572 00:30:29,495 --> 00:30:32,623 LUKE, WHAT ABOUT HER? 573 00:30:32,665 --> 00:30:36,585 [AS LUKE] HMM. MOM WAS WAY PRETTIER. 574 00:30:36,627 --> 00:30:38,128 [AS MARK] YEAH. YOU'RE RIGHT. 575 00:30:42,466 --> 00:30:44,343 HI! 576 00:30:44,384 --> 00:30:45,761 OH, SHE'S PERFECT. 577 00:30:53,059 --> 00:30:54,311 WE'RE ON. 578 00:31:06,281 --> 00:31:07,783 EXCUSE ME. 579 00:31:07,825 --> 00:31:09,075 OH! OH! 580 00:31:09,117 --> 00:31:11,203 I'M SO SORRY. 581 00:31:11,244 --> 00:31:13,038 IT'S OK. 582 00:31:13,079 --> 00:31:15,207 UM, I-I JUST NEED A BATHROOM. 583 00:31:15,248 --> 00:31:16,667 THERE'S A BIG LINE FOR THE ONE UP HERE, 584 00:31:16,709 --> 00:31:18,502 BUT THE ONE DOWNSTAIRS IS EMPTY. 585 00:31:18,544 --> 00:31:19,545 HERE. LET ME SHOW YOU. 586 00:32:00,210 --> 00:32:01,628 YOU THINK MARK'S GONNA BE HERE? 587 00:32:01,670 --> 00:32:03,338 IT'S HIS MOTHER. HE WON'T LEAVE 588 00:32:03,380 --> 00:32:04,923 THIS TABLEAU TO HIS FOLLOWERS. 589 00:32:08,761 --> 00:32:09,969 RYAN: OK. FAN OUT. 590 00:32:21,774 --> 00:32:23,817 FBI! DON'T PANIC! 591 00:32:23,859 --> 00:32:24,860 AAH! 592 00:33:01,980 --> 00:33:03,690 UGH! AGH! 593 00:33:21,333 --> 00:33:22,334 YOU OK? 594 00:33:22,375 --> 00:33:24,127 I'M GOOD. WHERE'S MARK?! 595 00:33:24,169 --> 00:33:26,505 SORRY. YOU'RE TOO LATE. 596 00:33:40,936 --> 00:33:44,272 WOMAN, MUFFLED: LET ME OUT! 597 00:33:44,314 --> 00:33:46,650 LET ME OUT, LET ME OUT! 598 00:33:46,692 --> 00:33:47,985 [SCREAMING, POUNDING ON TRUNK] 599 00:33:48,025 --> 00:33:50,654 LET ME OUT OF HERE! 600 00:33:50,696 --> 00:33:53,991 [AS LUKE] WHY YOU JUST SITTING THERE? 601 00:33:54,032 --> 00:33:55,868 COME ON. GET OUT OF THE CAR. 602 00:33:55,909 --> 00:33:59,412 COME ON! LET ME OUT! 603 00:33:59,454 --> 00:34:01,665 [AS MARK] I DON'T THINK I CAN DO THIS, LUKE. 604 00:34:01,707 --> 00:34:03,124 [AS LUKE] WELL, YOU HAVE TO. 605 00:34:03,166 --> 00:34:06,003 YOU HAVE TO KILL HER AND FINISH WHAT WE STARTED. 606 00:34:06,043 --> 00:34:07,587 HEY. WILL YOU SHUT UP! 607 00:34:09,631 --> 00:34:11,299 NOBODY'S TALKING TO YOU. 608 00:34:21,142 --> 00:34:26,023 [AS MARK] WILL YOU COME WITH ME? 609 00:34:26,063 --> 00:34:28,942 [AS LUKE] OF COURSE. 610 00:34:28,984 --> 00:34:30,819 I'M ALWAYS WITH YOU. 611 00:34:33,780 --> 00:34:37,074 [AS MARK] YEAH. 612 00:34:37,116 --> 00:34:38,493 YEAH. I KNOW. 613 00:34:38,535 --> 00:34:39,703 [CRYING] PLEASE! 614 00:35:02,517 --> 00:35:04,310 PLEASE! 615 00:35:04,352 --> 00:35:05,854 DON'T DO THIS. 616 00:35:08,815 --> 00:35:10,067 NO! 617 00:35:10,107 --> 00:35:12,444 MOM! MOM, I'M SORRY. 618 00:35:16,615 --> 00:35:18,575 NO. GET UP. 619 00:35:18,617 --> 00:35:20,326 NO, NO, NO. NO. 620 00:35:20,368 --> 00:35:23,329 HEY. DON'T GO. DON'T GO. DON'T GO. 621 00:35:23,371 --> 00:35:25,707 PLEASE DON'T GO. DON'T LEAVE ME. 622 00:35:25,749 --> 00:35:29,419 PLEASE DON'T LEAVE ME. I'VE BEEN SO LONELY WITHOUT YOU. 623 00:35:29,461 --> 00:35:31,546 MOM, I'M SORRY. 624 00:35:31,588 --> 00:35:33,339 PLEASE DON'T LEAVE ME. COME BACK. 625 00:35:42,557 --> 00:35:43,809 KNOCK IT OFF. 626 00:35:45,978 --> 00:35:48,647 EH, YOU'RE NO FUN. 627 00:35:48,688 --> 00:35:51,149 WHEN'S THE LAST TIME YOU HAD A GOOD CRY? 628 00:35:51,190 --> 00:35:52,442 IT CAN BE INCREDIBLY CATHARTIC. 629 00:35:52,484 --> 00:35:54,193 YEAH, BUT IT'S GONNA MAKE YOU 630 00:35:54,235 --> 00:35:58,531 ALL THE WRONG KINDS OF FRIENDS IN PRISON. 631 00:35:58,573 --> 00:36:00,492 YOU KNOW, YOU SHOULD HAVE SEEN YOUR FACE 632 00:36:00,533 --> 00:36:02,619 WHEN I CALLED YOU A MURDERER. 633 00:36:02,661 --> 00:36:03,787 I MEAN, YOU WERE SHOCKED, 634 00:36:03,829 --> 00:36:06,706 BUT THERE WAS A PART OF YOU 635 00:36:06,748 --> 00:36:09,084 THAT WELCOMED IT 636 00:36:09,126 --> 00:36:10,376 BECAUSE YOU KNOW IT'S TRUE. 637 00:36:10,418 --> 00:36:11,544 WHERE'S MARK GRAY? 638 00:36:11,586 --> 00:36:15,381 OH. SUCH A SAD STORY. 639 00:36:15,423 --> 00:36:17,300 HIS WHOLE FAMILY WAS KILLED BY YOU AND YOUR FRIENDS. 640 00:36:17,342 --> 00:36:20,137 YEAH. WHAT DO YOU CARE, HUH? 641 00:36:20,178 --> 00:36:21,596 WHAT'S MARK TO YOU? 642 00:36:38,155 --> 00:36:39,823 THANK YOU FOR COMING. 643 00:36:39,865 --> 00:36:41,366 I DIDN'T KNOW WHO ELSE TO CALL. 644 00:36:50,167 --> 00:36:52,836 I'M A SUCKER FOR A GOOD REVENGE TALE, 645 00:36:52,878 --> 00:36:54,963 BUT THIS-- HEH HEH HEH-- 646 00:36:55,005 --> 00:36:58,133 THIS IS GONNA BE SO MUCH MORE. 647 00:36:58,175 --> 00:37:00,635 YOU HAVE NO IDEA WHAT'S COMING. 648 00:37:00,677 --> 00:37:04,181 OK. SO THIS MOMENT MAY BE NEW TO YOU, 649 00:37:04,221 --> 00:37:06,141 BUT I'VE SAT IN THIS CHAIR, 650 00:37:06,183 --> 00:37:07,851 AND I'VE HAD THIS VERY CONVERSATION, 651 00:37:07,893 --> 00:37:10,062 AND THE GUY I HAD IT WITH IS ON DEATH ROW, 652 00:37:10,103 --> 00:37:12,731 AND I'M STILL HERE. 653 00:37:12,772 --> 00:37:17,527 SO YOU CAN SPARE ME THE SCARY PROCLAMATIONS. 654 00:37:17,569 --> 00:37:19,779 DO YOU HAVE THE TIME? 655 00:37:19,821 --> 00:37:23,116 GOT SOMEPLACE YOU GOT TO BE? 656 00:37:23,158 --> 00:37:26,369 NO, BUT... 657 00:37:26,411 --> 00:37:27,662 YOU DO. 658 00:38:02,948 --> 00:38:09,913 Ben Howard: ♪ GO YOUR WAY ♪ 659 00:38:09,955 --> 00:38:13,541 ♪ I'LL TAKE THE LONG WAY ROUND ♪ 660 00:38:13,583 --> 00:38:17,336 ♪ OH, I'LL FIND MY OWN WAY DOWN ♪ 661 00:38:17,378 --> 00:38:20,673 ♪ OH, AS I SHOULD ♪ 662 00:38:26,054 --> 00:38:32,852 ♪ HOLD YOUR GATES ♪ 663 00:38:32,894 --> 00:38:36,189 ♪ AS CROAK IN THE MIDAS TOUCH ♪ 664 00:38:36,231 --> 00:38:38,357 ♪ A JOKE IN THE WAY THAT WE RUST... ♪ 665 00:38:38,399 --> 00:38:40,401 HEY. STOP IT. 666 00:38:40,443 --> 00:38:42,070 WE HAVE TO GO HOME, OK? 667 00:38:42,112 --> 00:38:43,738 THE FBI GOT ANDREW. HOW LONG BEFORE THEY GET US? 668 00:38:43,780 --> 00:38:45,531 CALM DOWN, DAISY. 669 00:38:45,573 --> 00:38:46,908 IF WE LEAVE HERE BEFORE WE FINISH, 670 00:38:46,950 --> 00:38:48,827 WHAT DO YOU THINK'S GONNA HAPPEN? 671 00:38:48,868 --> 00:38:51,537 EVERYTHING WE HAVE WILL BE GONE. 672 00:38:51,579 --> 00:38:54,124 WE'LL SPEND THE REST OF OUR SHORT LIVES ON THE RUN. 673 00:38:54,166 --> 00:38:55,541 HE'LL MAKE SURE OF IT. 674 00:38:55,583 --> 00:38:58,711 MARK HAS NO IDEA WHAT'S REALLY GOING ON. 675 00:38:58,753 --> 00:39:00,630 AND WE NEED TO MAKE SURE IT STAYS THAT WAY. 676 00:39:00,672 --> 00:39:03,549 ♪ AND YOU'LL FIND LOSS ♪ 677 00:39:03,591 --> 00:39:06,344 ♪ AND YOU'LL FEAR WHAT YOU FOUND ♪ 678 00:39:08,680 --> 00:39:13,185 ♪ WHEN WEATHER COMES, TEAR HIM DOWN ♪ 679 00:39:15,770 --> 00:39:18,982 ♪ THERE WILL BE OATS IN THE WATER ♪ 680 00:39:19,024 --> 00:39:22,777 ♪ THERE WILL BE BIRDS ON THE GROUND ♪ 681 00:39:22,819 --> 00:39:27,115 ♪ THERE WILL BE THINGS YOU NEVER ASKED HER ♪ 682 00:39:27,157 --> 00:39:30,076 ♪ OH, THEY TEAR AT YOU NOW ♪ 683 00:39:51,181 --> 00:39:57,603 ♪ AND HOLD YOUR GATES ♪ 684 00:39:57,645 --> 00:40:01,316 ♪ AS CROAK IN THE MIDAS TOUCH ♪ 685 00:40:01,358 --> 00:40:05,195 ♪ A JOKE IN THE WAY THAT WE RUST ♪ 686 00:40:05,237 --> 00:40:07,530 ♪ AND BREATHE AGAIN ♪ 687 00:40:13,119 --> 00:40:15,997 ♪ AND YOU'LL FIND LOSS ♪ 688 00:40:16,039 --> 00:40:18,791 ♪ AND YOU'LL FEAR WHAT YOU FOUND ♪ 689 00:40:21,127 --> 00:40:25,464 ♪ WHEN WEATHER COMES, TEAR HIM DOWN ♪ 690 00:40:28,218 --> 00:40:30,345 ♪ THERE WILL BE OATS IN THE WATER ♪ 691 00:40:30,387 --> 00:40:33,265 I'M SO GLAD YOU CALLED ME. 692 00:40:33,306 --> 00:40:36,601 ME, TOO. 693 00:40:36,642 --> 00:40:38,395 I'M SORRY. 694 00:40:41,064 --> 00:40:42,941 I SHOULDN'T HAVE PRESSURED YOU EARLIER. 695 00:40:42,982 --> 00:40:45,360 NO. YOU WERE RIGHT. 696 00:40:45,402 --> 00:40:47,279 I WAS PUSHING YOU AWAY. 697 00:40:47,320 --> 00:40:49,322 IT'S MY PATTERN, 698 00:40:49,364 --> 00:40:52,658 AND, UH, I DON'T WANT TO DO IT ANYMORE. 699 00:40:55,494 --> 00:40:56,913 I NEED YOU. 700 00:40:59,124 --> 00:41:00,583 I NEED YOU, TOO. 701 00:41:21,938 --> 00:41:25,233 TODAY WAS HARD. 702 00:41:25,275 --> 00:41:29,112 YOU REALLY HELPED ME GET THROUGH IT. 703 00:41:29,154 --> 00:41:32,115 [AS LUKE] YOU DID GREAT. 704 00:41:32,157 --> 00:41:33,616 I'M PROUD OF YOU. 705 00:41:40,957 --> 00:41:43,751 [AS MARK] THANKS. 706 00:41:43,793 --> 00:41:45,378 TOMORROW WILL BE EASIER. 707 00:41:45,420 --> 00:41:46,963 [AS LUKE] ARE YOU KIDDING ME? 708 00:41:47,005 --> 00:41:48,673 TOMORROW WILL BE AWESOME 709 00:41:48,714 --> 00:41:52,427 BECAUSE TOMORROW ONE OF THEM DIES. 710 00:41:56,181 --> 00:41:57,390 [AS MARK] HMM. 711 00:41:57,432 --> 00:41:59,225 HEH.